Choreographed/Directed by: Annalisa Peterson; Filmed/Photographed by: Joseph Lambert; Sound Design by: Ryan Crump; Dancers: Rachel Green, Maia Erickson, Belle Wolfe, Trace Mazzoncini, Annalisa Peterson.
Kula Movement
5340 Ballard Ave NW
Showing posts with label film. Show all posts
Showing posts with label film. Show all posts
Dance Film To Be Screened During September Artwalk At Kula Movement
"Harnessed" is a dance film inspired by hanging and moving in harnesses, and, being bound with ropes. The artists brought their life experience and their bodies to the work of interpreting what it means to be harnessed by relationships, work, life, and simply being women in the world.
Choreographed/Directed by: Annalisa Peterson; Filmed/Photographed by: Joseph Lambert; Sound Design by: Ryan Crump; Dancers: Rachel Green, Maia Erickson, Belle Wolfe, Trace Mazzoncini, Annalisa Peterson.
Kula Movement
5340 Ballard Ave NW
Choreographed/Directed by: Annalisa Peterson; Filmed/Photographed by: Joseph Lambert; Sound Design by: Ryan Crump; Dancers: Rachel Green, Maia Erickson, Belle Wolfe, Trace Mazzoncini, Annalisa Peterson.
Kula Movement
5340 Ballard Ave NW
Local Filmmakers Seek Venue For Screening
Two local artists, Joseph Lambert aka Jazzy Photo, and producer/choreographer, Annalisa Peterson, are working on Harnessed, a dance film shot in Ballard and Capitol Hill. As they enter the final stages of production, they are searching for the right venue to host a screening during the September ArtWalk.
To contact the artists, send a message to 2ndsaturdayballardartwalk@gmail.com.
Multi-Media Show Taking Place at Blowing Sands for the Month of September
Curator/ artist Laurette Chasse is putting together a multi-media event for this month's artwalk.
 |
| X Yes “endemos” by Nat Gibbons |
Visual arts on display will include her fabric and collage book art, painting and drawings by Nat Gibbons, and a fabric figure by Jackie and Heather Lamont. Also scheduled are screenings of films by Andrew Birchall, Summer Mathews, a film/glass installation by Polly Cook, and live music by the venerable Dave Harmonson.
Blowing Sands Glass Studio
805 14th Ave NW
Photography by Abby Inpanbutr at The BalMar in July
As a photographer, I work primarily in film, and my particular favorite is large format black and white photography.
Large format work is rewarding due to its technical challenges, methodical and meditative nature, and physical process. It is also the basis of documentary and archival photography. I was fortunate to learn large format photography while studying architecture at the University of Washington, and have not been able to stop doing it since. The tangibility of film and the darkroom is for me a means and metaphor. Living in Ballard gives me the opportunity to observe the maritime landscape on a daily basis, and I am fascinated by the wealth of history here. As a transplant from central Illinois, this world is entirely new to me. The waterfront and its structures is one of my favorite subjects to photograph. The images shown in this series, Persistent Work, were taken as part of a 4culture funded project to document the maritime industrial heritage of Lake Union and Salmon Bay. The project focused on three enduring maritime businesses: George Broom’s Sons, Pacific Fishermen Shipyard, and Jensen’s Motorboat Company. Along with the photographs, oral histories were collected by historian Shelly Leavens. The project was previously exhibited at the Center for Wooden Boats on South Lake Union. The project is now in its second phase, and the negatives and histories will be donated to a public archive upon completion.
The BalMar
5449 Ballard Avenue NW
Large format work is rewarding due to its technical challenges, methodical and meditative nature, and physical process. It is also the basis of documentary and archival photography. I was fortunate to learn large format photography while studying architecture at the University of Washington, and have not been able to stop doing it since. The tangibility of film and the darkroom is for me a means and metaphor. Living in Ballard gives me the opportunity to observe the maritime landscape on a daily basis, and I am fascinated by the wealth of history here. As a transplant from central Illinois, this world is entirely new to me. The waterfront and its structures is one of my favorite subjects to photograph. The images shown in this series, Persistent Work, were taken as part of a 4culture funded project to document the maritime industrial heritage of Lake Union and Salmon Bay. The project focused on three enduring maritime businesses: George Broom’s Sons, Pacific Fishermen Shipyard, and Jensen’s Motorboat Company. Along with the photographs, oral histories were collected by historian Shelly Leavens. The project was previously exhibited at the Center for Wooden Boats on South Lake Union. The project is now in its second phase, and the negatives and histories will be donated to a public archive upon completion.
The BalMar
5449 Ballard Avenue NW
Subscribe to:
Posts (Atom)
