Wall Objects at Miro Tea: Isaac Quigley, Sara Owens, Erin Campbell, Cheryl Freece, and James Lobb

Miro Tea is pleased to present for the month of November this multimedia wall-sculpture show featuring five Seattle based artists: Isaac Quigley, Sara Owens, Erin Campbell, Cheryl Freece, and James Lobb.  “An object is abstract (if and) only if it fails to occupy anything like a determinate region of space (or spacetime)”…also… “x is an abstraction if and only if, for some abstraction function f, there is or could be an object y such that x = f(y)” (Rosen, Gideon, "Abstract Objects", The Stanford Encyclopedia of Philosophy (Spring 2012 Edition)) Reception Saturday November 10^th from 6-9pm

Miro Tea
5405 Ballard Ave NW
Seattle, WA 98107

Venues for April 14th ArtWalk

Art & Soul
2860 Northwest Market Street

Hosting a new spring photography show by Tod Gangler, showing tricolor carbon prints from a series photographed in Mexico.









Monster Art and Clothing
5000 20th Avenue NW

Presenting the art of Seattle’s own Starheadboy, a super prolific artist, who flows his vibrant art through pure stream of conscious and relies on raw instinct, unlimited imagination, and constant inspiration to create his work. Plus a performance by aerialist Sarah Goody, dj Jessie Beans spinning tunes, and refreshments.













Ballard Metal Arts Studios & X-Ray Auto
1122 NW 46th Street

Join them for an evening of art, refreshments and demonstrations of forging, casting, and enameling. Featured artists include: Bart Turner with Flying Anvil Studios, displaying his amazing glass cast sculptures; painters Karen Badgett and Corianna Garrels; new enamel works by Julia Garrels-Borgeson, and sculpture by blacksmith Patrick Maher.

Great Harvest Bread Co.
2218 NW Market Street

Mindy Kalee discovered a love for photography by accident, after spending nearly three years living, working and traveling through mostly undeveloped and impoverished countries throughout South and South East Asia and Africa. It was during these years that she fell in love with the human spirit, finding life and resiliency in the most obscure, desperate, and painful situations. She was amazed at how individuals and cultures who have suffered so greatly can live with such a profound brightness of spirit, while continuing to advocate in the midst of the travesties around them. Kalee started taking photos of the people and places known to her. She found that in doing so, she was able to capture how the dichotomy of life and death, darkness and light, hope and despair, history and future connects all of us as humans, no matter where we are from on this planet.